Nora by Nuala O'Connor
Author:Nuala O'Connor
Language: eng
Format: epub, mobi
Publisher: Harper Perennial
Published: 2020-11-10T00:00:00+00:00
Portrait
Trieste
1913
JIM TEACHES NOW AT THE COMMERCIAL SCHOOL AND ENTERTAINS private pupils in the afternoon in our new flat on Via Donato Bramante. We bought some furniture in the Danish style, and the family portraits that Pappie sent Jimâonce again certain sure he was dyingâdot the walls. Whatâs even better is that Grant Richards will publish Dubliners and the American, Mr. Pound, has arranged for the novel Jimâs been writing for years and years, A Portrait of the Artist as a Young Man, to be serialized in a magazine, beginning on Jimâs birthday. Our fortunes have soared for sure.
Iâm trying to fix two rends in Luciaâs best linen frockâEileen says that Livia Schmitz proclaimed herself appalled when she mentioned that I discard the childrenâs worn clothing, so I mean Eileen to take word back to the lofty Signora Schmitz that I, too, can be economical, even in good times. Wealthy people have a way of behaving thatâs alien to me.
âIâll show Livia Longhair that Iâm as good as her and she has no right to pass comment,â I mutter.
Jim is across from me, smoking slowly and gazing at the paintings of his grandparents that watch over us all. His grandfather, after whom Jim was named, looks like Pappieâhe has the same startled eyes and I always think it looks as if he might jump from the canvas and tell us a fanciful yarn in which he himself plays a clever, comical turn.
âNora,â Jim says, âwe need a picture of you.â
âArenât there likenesses aplenty of me?â I say, waving with my sewing needle at the frames along the mantelpiece.
âNo, not a photograph. We need a painting, a portrait. In honor of Portrait.â He mumbles this, half to himself, then stubs his cigarette and leaps from his chair.
âWhereâre you going, Jim?â
âI know just the chap for this.â He throws on coat and hat. âA Venetian I met in a piccola bettola near San Giusto.â
âIt would serve you better, my man, not to darken the doors of taverns little or big.â I bite the thread and examine my work; thereâs a lumpy scar on the frock now but it will do. âDo you mean to go to that bettola to find this artist?â
âNo, he told me where his studio is, in a clattery place near the Porto Vecchio.â
âJim, thereâs a student coming at four, mind youâre back in time.â
He comes and kisses my head. âFret not, my darling seamstress.â
Off he goes and Iâm left with my stitching, the pleasurable tick-tock of the clock, and the occasional bird announcing its awakening from winter sleep. Sometimes being alone is the best thing to happen in my day.
CLOTILDE COMES TO VIA BRAMANTE TO SIT WITH ME AND WE bend our heads to our sewing like two old nonne on a July balcony. Weâre not as close as we once were, but there are years of affection between us that canât be erased by a silly row over money and Stannie and what is between brothers, truly.
âJim brought
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